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From the Director

Stories from Home is the physical embodiment of the oral traditions of Northern New Mexico. This collection of dances embodies stories inspired by my father and were created for my son in honor of our ancestors, our querenica, and our deep deep Nuevomexicano roots. This is an artistic interpretation of my family's histories and stories inspired by and based on, but not beholden to, historical accuracies as time is not linear in this storytelling experience. I am delighted to share my family’s stories and cultural traditions with you.

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PROGRAM

Dancers:

Ruby Morales 

José José Arrieta Cuesta

Angela Bass

Vincent Chávez

Madeline McDonald

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Swing Cast: 

Esteban Rosales

Zarina Mendoza Orduño

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Apprentices:

Martín Quintana

Isis América Tovar Laborín

CAST

Artistic Director: Yvonne Montoya 
Choreography: Yvonne Montoya et al
Lighting Designer : Clint Bryson
Digital Animator : Wesley Fawcett Creigh
Costume Designers: Kelsey Vidic, Mary Leopo et al
Stage Manager: Dr. Erica Acevedo Ontiveros with Esteban Rosales
Music: Samuel Peña et al
Costume Technician: Alisha Patel

Rehearsal Assistant: Martín Quintana

CREW

All events and artists are subject to change without prior notice

Preshow Music: Lone Piñon

ACT ONE

Tecolote

Choreographer & Text: Yvonne Montoya


Dancers: Ruby Morales, José José Arrieta Cuesta, Angela Bass, Vincent Chávez

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Swing Cast: Esteban Rosales, Zarina Mendoza Orduño, Madeline McDonald


Music: “ El Tecolotito” by Lone Piñon.
Lone Piñon's 2017 arrangement of a traditional song as sung by Ricardo Archuleta of Antonito, CO on August 4, 1940 for Juan Rael, whose recordings are available online through the Library of Congress.

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Vocals: Jordan Wax, Lia Martinez, Shae Fiol


Costumes: Kelsey Vidic

Tecolote Redux

Choreography: Yvonne Montoya
Dancer: Angela Bass
Music: Samuel Peña
Costume: Kelsey Vidic

Photo by Dominic AZ Bonuccelli

Mestiza Mulata de Analco

Artistic Director, Text & Performer: Yvonne Montoya

Choreographer & Dancer: Ruby Morales

Costume: Kelsey Vidic

Program Note: This dance is dedicated to the empty branches on my family tree, especially my many grandmothers, whose casta* classifications were listed in official Spanish colonial documents instead of their names. Although I will never know my grandmothers’ names and stories,

I know that they are me.

*The Casta System: A porous system of racial classification in Spanish colonial society. Casta categorizations mentioned in this dance include India, Mestiza, Mulata, and Coyota/Coyotes.

Criada: From the Spanish verb criar, “to rear.” Refers to Natives who were usually captured while young and raised by Spanish colonists to work in colonizers’ households. A euphemism for an indentured servant.

Genízara: Detribalized Indigenous people who, through war or trade, were abducted and taken into Hispano households as laborers.

Resources

Bustamante, Adrian. "The Matter Was Never Resolved: The Casta System in Colonial New 

Mexico, 1693-1823." New Mexico Historical Review 66, 1991.  Link to read article 

Gonzales, Moises, and Enrique R. Lamadrid, editors. "Nación Genízara: Ethnogenesis, Place, and

Identity in New Mexico." Querencias Series, University of New Mexico Press, 2019. 

Link to book

Reséndez, Andrés. "The Other Slavery: The Uncovered Story of Indian Enslavement in America."

Houghton Mifflin Harcourt, 2016. Link to book

Roessel, Ruth. "Navajo Stories of the Long Walk Period." 1st ed., Navajo Community College Press,

1973. Link to book

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This dance briefly references my great-grandmother Manuelita Yazzie who was sold as a child when the Navajo Long Walk stopped in Santa Fe.

Siglos. Sueños. Sefarad.

Choreographer: Yvonne Montoya
Dancers: Ruby Morales, José José Arrieta Cuesta, Angela Bass, Vincent Chávez, Madeline McDonald
Swing Cast: Esteban Rosales, Zarina Mendoza Orduño
Music: “Morena Me Yaman” by Edith Saint-Mard/Michael Grebil/Bernard Mouton/Thomas Baete, Vincent Libert
Costume: Kelsey Vidic

Program Note: How does one remember what was hidden for so long? This dance is dedicated to my Sephardic Crypto-Jewish ancestors who took refuge from the Spanish and Mexican Inquisitions in Northern New Mexico.

Resource

Hordes, Stanley M. "To the End of the Earth: A History of the Crypto-Jews of New

Mexico." Columbia University Press, 2005.  Link to book

Tecolote Redux

Choreography: Yvonne Montoya
Dancer: José José Arrieta Cuesta
Swing Cast: Zarina Mendoza Orduño, Madeline McDonald
Music: Samuel Peña
Costume: Kelsey Vidic

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Photo by Dominic AZ Bonuccelli

Deslenguadas

Choreographer: Yvonne Montoya
Dancers (in order of appearance): Yvonne Montoya, Angela Bass, Vincent Chávez, Ruby Morales
Swing Cast: Esteban Rosales, Martín Quintana
Music: “Deslenguadas” by Samuel Peña Voice recording of María Graciola Roybal, María Adelia Roybal Baldock, María Aurelia Luján, and a recreation of María Diolanda García’s oral history by Yvonne Montoya
Costumes: Mary Leopo, Kelsey Vidic
Text: Yvonne Montoya with excerpts of Gloria Anzaldúa’s La Nueva Mestiza’s “How to Tame a Wild Tongue" 

Program Note: "Why don't you speak Spanish?"

Resource

Parra, Carlos Francisco. "Lessons in Americanization: Educational Attainment and Internal

Colonialism in Albuquerque Public Schools, 1879–1942." New Mexico Historical Review, 2016. Link to Article

Braceros

Choreography: Yvonne Montoya
Dancers: Vincent Chávez (soloist), Ruby Morales, José José Arrieta Cuesta, Angela Bass, Madeline McDonald
Swing Cast: Esteban Rosales (soloist), Zarina Mendoza Orduño

Music: “Braceros” by Samuel Peña
Voice recording of Juan "Johnny" Montoya by Yvonne Montoya
Costume: Mary Leopo

Program Note: In loving memory of my father Juan "Johnny" Montoya Sena. This dance reflects the time he worked as a Bracero, a migrant farm worker, picking watermelon and cantaloupe in the fields of Southern Arizona and Southern California in the early 1960s.

Resource

"1942: Bracero Program" Library of Congress.  Link to Article

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INTERMISSION

ACT TWO

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Photo by Dominic AZ Bonuccelli

Tecolote Redux

Choreography: Yvonne Montoya
Dancer: Vincent Chávez
Swing Cast: Esteban Rosales
Music: Samuel Peña
Costume: Kelsey Vidic

Pajarito

Choreography, Text & Performance: Yvonne Montoya
Dancers: Ruby Morales, José José Arrieta Cuesta, Angela Bass, Vincent Chávez, Madeline McDonald
Swing Cast: Esteban Rosales, Zarina Mendoza Orduño

Music: “Pajarito” by Samuel Peña
Costume: Mary Leopo

Resource

Gómez, Myrriah. "Nuclear Nuevo México: Colonialism and the Effects of the Nuclear

Industrial Complex on Nuevomexicanos." The University of Arizona Press, 2022

Link to book

Unspoken

Choreography: Yvonne Montoya
Dancers: José José Arrieta Cuesta, Angela Bass
Swing Cast: Esteban Rosales, Ruby Morales
Music: “De Casa” by Samuel Peña
Costume: Mary Leopo

Program Note:

Silent stories.

Unspoken stories.

Stories whose time

has not yet come.

Tecolote Redux

Choreography: Yvonne Montoya

Dancer: Ruby Morales

Music: Samuel Peña

Costume: Kelsey Vidic

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Photo by Dominic AZ Bonuccelli

Cómo eres

Choreography: Yvonne Montoya

with Sonora Bronco choreography by Isis América Tovar Laborín
Dancers: Ruby Morales, José José Arrieta Cuesta
Music:  "Sobre mis pies" written by Isidro Chavez Espinoza
used by permission of Peermusic III, Ltd. All rights reserved.
Costume: Kelsey Vidic

Program Note: A Sonoran borderlands love story

Querencia

Choreography, Text & Performance: Yvonne Montoya
Music & Performance: Salvador Martínez-Montoya
Performers: Yvonne Montoya, Salvador Martínez-Montoya
Dance films: Dominic AZ Bonuccelli 
Dance film music: Excerpts of “MonÏŒlogo para Cello” by Maria Granillo performed by Edgardo Espinosa, Musette in D Major, BWV Anh. 126 from Anna Magdalena Bach Klavierbüchlein, 1725 performed by Salvador Martínez-Montoya, and "Walking: A Soundscape" by Yvonne Montoya with Salvador Martínez-Montoya
Costumes: Mary Leopo

Program Note: Music and movement inspired by the traditional Nuevomexicano dances and music of Northern New Mexico including la Varceliana, la Camila, la Cuna, and the Matachines. Special thank you to Salvador Martínez-Baldenegro and Lucy Salazar.

About Stories from Home

Stories from Home is a series of dances embodying the oral traditions of Nuevomexicano communities in the American Southwest. Choreographer Yvonne Montoya and a primarily Mexican American cast of dancers draw upon personal histories as well as ancestral knowledge, including stories from Montoya’s great-grandmother, grandmother, great-aunts, and father. With palpable theatricality, moving spoken word, a movement aesthetic informed by vibrant ancestral and contemporary sources, and universal themes of love, family, and home, Stories from Home brings these largely underrepresented experiences to the stage.

 

Montoya, a 23rd-generation Nuevomexicana, began to develop Stories from Home after her father’s passing in 2015; compelled to continue his storytelling tradition for her own child, she turned to dance. Stories From Home is a vessel for personal and specific tales, while also offering a broader look at various cultural traditions throughout the Southwest. The work explores the ways in which geographies, languages, and histories among groups such as Nuevomexicanos, Tucsonenses, and border communities have created shared or dissimilar experiences. The grounded, sometimes incongruous choreography embraces abrupt shapes and connected, fluid shifts, balancing disarticulation with a moody softness.

 

The cast of Stories from Home originates from communities throughout the Southwest. This intentional geographic spread addresses the isolation of Southwest-based dance artists, instituting a community of Latine dancers. The far-flung group of artists also allows for an embodied sense of the array of landscapes that are integral to the work.

Yvonne Montoya 

Artistic Director & Choreographer

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Yvonne Montoya is a mother, choreographer, binational artist, writer, and the founding Artistic Executive Director of Safos Dance Theatre. Based in Tucson, AZ and originally from Albuquerque, NM, her work is grounded in and inspired by the landscapes, languages, cultures, and aesthetics of the U.S. Southwest. Though most well-known in the U.S. Southwest, her choreography has been staged across the United States and in Guatemala, and her dance films screened, at Queens University of Charlotte, N.C., and the University of Exeter (U.K.) Under her direction, Safos Dance Theatre won the Tucson Pima Arts Council’s Lumie Award for Emerging Organization in 2015. 

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From 2017-2018, Montoya was a Post-Graduate Fellow in Dance at Arizona State University where she founded Dance in the Desert: A Gathering of Dancemakers serving three communities of dance artists in Arizona including the binational community of Douglas, AZ/Agua Prieta, SON. In 2019, Montoya was a Kennedy Center Citizen Artist Fellow, a Dance/USA Artist Fellow, and a Southwest Folk Alliance Plain View Fellow, and a recipient of the  National Association of Latino Arts and Cultures (NALAC) POD grant. In 2020, Montoya received the MAP Fund Award and was the first Arizona-based artist to receive the 2020 New England Foundation for the Arts (NEFA) National Dance Project Production Grant.  Montoya won the Arizona Creative Excellence Award at the 2021 Arizona Drive-In Dance Film Festival. In 2022, her company Safos Dance Theatre received the National Performance Network Creation Fund Grant and the National Endowment for the Arts Grants for Arts Project Grant for her piece Stories from Home. Stories from Home premiered at GALA Hispanic Theatre in Washington, D.C. in October 2023 and is currently touring the Southwest. In 2025, Montoya expanded Dance in the Desert into New Mexico where the program became a binational multistate dance and research initiative.  In 2026, Montoya was a Visiting Artist and Guest Faculty at Colorado College where she taught a dance production course and used Participatory Action Research Methodologies to engage Southern Colorado communities creating a community-based dance film and incubating a new evening length dance. Montoya is a founding member of the binational Las Fronterizas Ensemble. Her work was featured in KQED’s If Cities Could Dance and KNME’s ¡COLORES!. 

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Montoya is an independent dance scholar and writer who has been published by University of Arizona Press, Border Lore, Revista Música del Sur, Chicana Motherwork, El Mundo Zurdo, the International Journal on Responsibility, Stance on Dance, Routledge, and Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest. She is the founder of Montoya Publications where she self-published three books. www.yvonnemontoya.co

Meet the Dancers

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Dancer & Choreographer

Ruby Morales is committed to equity, facilitating life-affirming spaces, and cultivating community relationships that are rooted in reciprocity, trust, and love. She does this through the life she leads and her artmaking. She is a dance artivist so she is always investigating culturally-informed teaching methods and her relationship with movement as a bgirl and Mexican-influenced cumbia Sonidera. After receiving a BFA from Arizona State University she completed Urban Bush Women's Summer Leadership Institute,The People’s Institute for Survival, and Beyond's Undoing Racism Training, and is continuously training in breaking and learning about hip hop philosophy/theory. She is currently working with internationally-renowned creative Liz Lerman, CONTRA-TIEMPO Activist Dance Theater, and Tucson, Arizona based choreographer Yvonne Montoya. Ruby recently toured her own grant-funded evening length show, Breaking Pachanga locally in Arizona. She is a 2021 National Association of Latino Arts and Culture Advocacy Leadership Fellow, and a 2021 Intercultural Leadership Institute Fellow.

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Swing Cast Dancer

Esteban Rosales

Esteban Rosales graduated from Arizona State University in the Spring of 2021 with a BFA in Dance and has been weaponizing it ever since. Although shortly after graduation Esteban lost his home and had to start working at less-than desirable jobs to make ends meet due to familial discrepancies regarding his identity, he now works tooth and nail in the fields of Dance and Stage Production to live lavishly with his two cats. Apart from his long-time commitment to Stories From Home since 2018, he is also proud to work regularly with The Ladies, Weird & Wonderful, and has a new gig down at the local haunted house. On stage performing his own choreography, you will likely find him disrobing, crying, convulsing, and/or programming a thousand lighting cues behind a light board.

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Dancer

Angela Bass

Angela Bass, an emerging artist from Modesto, CA, began her dance journey at Modesto Junior College, earning her AA in Dance in 2018. Her choreographic work Vestiges premiered at the American College Dance Association in 2017. Bass toured with Off Balance dance company and performed at Jacob’s Pillow in 2018. She interned at Pony Box Theatre in Long Beach, contributing to various shows. 

 

From 2020-2021, Bass danced with the Nhan Ho Dance Project, choreographing and performing for multiple productions. She pursued her BFA in Dance at San Jose State University, graduating in 2022, and worked with University Dance Theatre, collaborating with renowned artists like Mike Esperanza and Doug Varone. She further honed her skills through the Movement/Makers intensive in Utah and Doug Varone Summer Intensive in New York. 

 

Bass expanded her repertoire into commercial heels dancing, performing in Jenzi’s Show Me Showcase and Be The Girl from 2022-2024. In 2023, she danced under Angelica DeLashmette and Caitlin Rose for the Third Space Dance Project’s annual summer festival. Currently, she is a company member of Desert Dance Theatre, AnthroArts Collective, Bodies Contemporary Company and Safos Dance Theatre. Bass continues to explore the depths of dance, traveling and connecting with artists to expand her understanding of the human experience through movement.

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Dancer

Vincent Chavez 

Vincent Chavez was born and raised in Albuquerque, New Mexico where he grew up competing on the local Rodeo circuit. Once he chose ballet over broncos, he received his formal dance education and training from the Dance Theater Southwest (Albuquerque), Ballet Hispanico (New York), Academy of Nevada Ballet Theatre (Las Vegas) and Alonzo King LINES Ballet Training Program (San Francisco). As a result of his strict training and creative educational experiences, Vincent was chosen to perform with leading dance companies including Robert Moses’ Kin, Oakland Ballet Company, Nevada Ballet Theatre, New Mexico Ballet Company and the San Francisco Opera. Vincent is excited to be dancing with Safos Dance Theatre to represent his Hispanic and Native American heritage. 

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Dancer

Madeline McDonald

Madeline McDonald is a dedicated dancer, choreographer, teacher, and artist based in Phoenix, Arizona. She believes that people are influenced, motivated, and transformed by those around them. As an artist, Madeline is passionate about spreading acceptance and positivity through movement.

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She began her dance training at the age of 18 at Scottsdale Community College (SCC). After growing up as a gymnast and cheerleader, she took a leap of faith into a lifelong dream. She went on to earn a Certificate of Achievement in Dance Performance from SCC.

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Currently, Maddie serves as the Creative Department Team Lead for Relentless Beats, where she spends most weekends bringing EDM shows to life. She also performs as a dancer and stilt walker with their Weird and Wonderful crew. In addition to her work in the EDM scene, Madeline is a company member with Rosenkrans Dance, performing in the modern dance form. Her previous experience includes dancing with Canyon Movement Company in Flagstaff, Instinct Dance Corps at SCC, and Align Dance in Scottsdale.

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Madeline’s dance training includes Ballet, Modern, Hip Hop, and Jazz. Her love for the stage extends beyond  dance—she has a strong passion for musical theatre and has choreographed musicals throughout the Phoenix Valley. She holds experience in stilt walking, belly dancing, acting/clowning, stage management, and so much more.

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Her commitment to growth is unwavering. Madeline continuously seeks new skills and experiences, aiming to become as versatile as possible. Through her creativity, she hopes to inspire others, promote acceptance, and help people become the best version of themselves

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Dancer

José José Arrieta Cuesta

José José Arrieta Cuesta was born in Cartagena, Colombia. Arrieta has trained under experienced artists, dancers, and choreographers such as Nemecio Berrio, Michael Lomeka, Brett Garfinkel, Jared Duster, Crystal Lewis, Majella Loughran, Kati Hernandez. The companies that had allowed him to grow in the national and international industry are DIAVOLO: Artchitecture in Motion, Contra-Tiempo dance activism theater, Blue13, and Alley Theatre.

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Apprentice & Choreographer

Isis América Tovar Laborín

Isis América Tovar Laborín has a Bachelor’s Degree in Performing Arts from the University of Sonora. She also studied for a semester at the University of Colima, where she explored different artistic disciplines.

In 2018, she joined "Las Fronterizas", an intergenerational group of six women artists who create dance, theater, and visual arts with border communities.

She has experience as an arts teacher in a junior high school and is currently an apprentice at "La Cachimba Teatro A.C."
She believes in the power of movement to express emotions and connect with people.​

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Apprentice

Martin Quintana

Born in Albuquerque, NM, Martin Quintana (he/him) is a Latinx/e dancer and choreographer that strongly believes that dance is for all. His approach to movement honors the belief that we are the ones knowledgeable of our own bodies and challenges the ideas of who gets to be a dancer and what dancing looks like. Recently, he has also been interested in exploring his Mexican American identity through dance as someone who admittedly feels rootless in their culture and hopes to continue delving deeper into the representation of Latinx/e artists in dance. He is currently a senior studying at the University of New Mexico majoring in contemporary dance.

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Swing Cast Dancer

Zarina Mendoza is a passionate artist, a Mexican immigrant with a desire to share knowledge, experiences and culture through movement. She has a BFA and has been teaching and performing for more than 10 years at Festivals in Asia, Mexico and the US. Zarina is the founder, choreographer and director of Tranze Danza Contemporanea, a dance company that has been showcased across South Korea, Malaysia, Thailand, Costa Rica, the United States, Taiwan, and Mexico. Her work prompts introspection on themes of identity, immigration, empathy and solidarity.

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Zarina is also the producer of Mitote Dance Intensive, an international contemporary dance workshop that brings Mexican artists to share knowledge with dancers in Arizona. She serves as the Studio Manager for [nueBOX] a non-profit organization that provides resources for BIPOC artists in Arizona and has a full time job  at Tempe Center for the Arts. Zarina teaches various disciplines, including Latin Dances, Contemporary and Yoga practices. Beyond her teaching commitments, she remains engaged in performances as dancer and collaborates as a choreographer with talented artists in Mexicali, Phoenix and Tucson. 

Creative Team

Stage Manager

Erica Acevedo-Ontiveros has a PhD in Theatre Performance of the Americas from Arizona State University. She examines Azteca, Flamenco, and Mexican Folklórico dance and how these dance forms relate to expressions of Mexican and Chicanx identity. She has performed as both a dancer and actor, and is a professional stage manager in Phoenix, Albuquerque, and California. Erica currently teaches film and theatre at Benedictine University and Chandler-Gilbert Community College. She received her Master of Arts degree in Dance History and Criticism along with a Bachelor of Arts in Theatre and Dance with a focus on Flamenco at the University of New Mexico. She remains a member of Kalpulli Ehecatl, comunidad del viento, based in Albuquerque, New Mexico. She received her first Bachelor of Arts degree in Latin American and Latinx Studies at UC Santa Cruz where she started her dance journey with Grupo Folklórico Los Mejicas.

Photographer

Dominic Arizona Bonuccelli

Dominic Arizona Bonuccelli is an award-winning photographer and filmmaker who has traveled to more than 80 countries - from Cuba to Cambodia and Kiribati to Tibet - capturing images as the lead photographer for Rick Steve’s Europe and Lonely Planet travel guides. He has hosted six seasons of travel shows for Lonely Planet, the National Geographic Adventure Channel, Discovery Asia, the Travel Channel and the BBC across Latin America, Europe and Asia. His editorial work has been featured in Lux, Forbes and The Wall Street Journal, and he is the cover photographer for MovieMaker Magazine in Los Angeles. His film and photo clients include the Space Needle, the Gates Foundation, 3 Form, the Clinton Foundation and the United Nations. He has photographed such luminaries as Stephen Hawking, Channing Tatum, Salma Hayek, Kenneth Branagh, Barack Obama, the Dalai Lama and Sting. A graduate of the University of Southern California School of Cinema, Bonuccelli is a dual American / Italian citizen, and is currently working on an art book of his best European travel images from the past 20 years.

Lighting Designer

Clint Bryson

Clint Bryson is a lighting designer, technical director and educator working in theatre and dance for companies in Arizona and California. Previous collaborators include The Rogue Theatre, Arizona Repertory Theatre, Arizona Theatre Company, Zuzi Dance, Safos Dance Theatre, NEW ARTiculations, The University of Arizona School of Theatre, Borderlands Theatre Company, Catalina Foothills High School and California Shakespeare Festival at CSU Pomona. In addition to freelance design projects, Clint is the technical director and a lecturer for the Theatre and Dance Department at Cal Poly, San Luis Obispo, overseeing the technical elements of department productions and teaching courses in design, management, and production.

Animator

 Wesley’s animation and multimedia work has been included in exhibitions such as the Museo de Arte Nogales, MOCA Tucson, Yavapai College, and the Minneapolis-St Paul International Airport. Her 2018 experimental video work, “Prototype”, received an official selection into the WomenCinemakers Biennale and the Sharjah Film Platform. She has been awarded grants and residencies from organizations such as the Arts Foundation for Tucson and Southern Arizona, The Puffin Foundation, Arizona Commission on the Arts, Springboard for the Arts, Santa Fe Art Institute, and Franconia Sculpture Park. Wesley is honored to be a member of the Stories from Home team. To see more of her work, visit wesleyfawcettcreigh.com.

Costume Design

Mary Leopo

Mary Leopo is a Mexican American dancer, choreographer, content creator, and costume designer. Her first steps toward dance training began at The Wooden Floor. In the following years, her dance education continued at Santa Ana College. Recently, she earned herBachelor of Fine Arts in Dance from CSU Long Beach. Mary’s education doesn’t stop at institutions. She has broadened her experience as a scholarship recipient with Backhausdance, Limón Dance Company, Bill Evans, Acts of Matter, Pilobolus, and Jacob Jonas The Company. At CSULB, Mary worked closely with costume designer Kelsey Vidic to create costumes for Dance Productions in 2021 and 2022. This year, Mary has designed costumes for Imprints Dance Company directed by Hannah Millar, and Safos Dance Theatre directed by Yvonne Montoya. As of now, Mary is open to collaborating with other artists for future projects and working to make dance accessible to all.

Performer / Composer

Salvador Martínez-Montoya

Salvador Martinez-Montoya is a 15-year-old incoming Freshman attending University High School and is the son of Yvonne Montoya. He worked with Safos Dance Theatre before as he was featured in Act One of the Stories from Home: Covid-19 Addendum dance film series. He is a musician and plays the piano, the euphonium, and sings. He has recently joined the Rincon University High School Marching Band and has been singing with the internationally performing Tucson Arizona Boys Chorus for the past seven years. Salvador is also an Electronic Dance Music Producer, and he composed one of the scores for Stories From Home. He also enjoys working on electrical projects in his free time, and spending time with his cat Quaren.

Salvador is delighted to work with the rest of the Stories From Home team, as they are a large part of bringing Stories From Home together.

Music Design

Samuel Peña

Samuel Peña is a Tempe-based composer and performer whose passion for connecting with people from diverse backgrounds serves as a catalyst for his composition process. In addition to composing, Peña maintains an active performance career in multiple ensembles. He is the founder and director of AZ Beat Lab, an organization that teaches beat making to youth using a collaborative, process-driven approach that explores both electronic and folkloric rhythmic styles. Samuel also serves as the music director for the Urban Arts Ensemble at Arizona State University where he co-facilitates improvisation of urban music and movement for musicians and dancers. As a bi-racial Mexican American, music has been the vehicle where he has found healing bridges between his dual-lived experience, most specifically in composing music for movement. Peña has written a wide variety of music for Latinx choreographers such as the music performed at Jacob's Pillow. He has also composed the theme music for numerous podcasts such as Word Play Café. Through his compositions, Samuel creates cross-cultural bridges that deepen understanding and build relationships among choreographers, dancers and audiences --- with the overarching goal of encouraging respect and enhancing connectivity.

Costume Design

Kelsey Vidic began her career in costumes by interning with Brevard Music Center, STAGES St. Louis, Gomez-Gracia in London and the Santa Fe Opera. She received an MFA in Costume Design at the University of Texas at Austin. Working with bodies, textiles and space opened doors to work with companies such as the Intel Corporation, Kevin Williamson+Co and LA Contemporary Dance Company. Kelsey currently works as the Costume Designer and Manager for the Dance Department at California State University, Long Beach. She would like to give a special thank you to her community, without them this project would not have been possible. Visit her website for more: kelseyvidic.com.

Costume technician 

Alisha Patel is a fashion and costume designer who recently graduated from CSU Long Beach with a B.A. in Fashion Design. Although the majority of her skills come from fashion design, Alisha has experience in dance costuming, theatre arts costuming, and fiber arts as well as a background in Bollywood dancing. Alisha has created two fashion collections, “Between Worlds” and “THE Villain,” with one of the looks being presented at the 2024 ITAA Conference Design Exhibition. Her first costuming experience began with designing for a student piece for CSU Long Beach 2022 Variance: A BFA Dance Concert and CSU Long Beach 2024 production of  “Our Dear Dead Drug Lord.” She aims to make garments that allow individuals to live out their fantasies that may seem out of reach. More of her work can be seen on: https://alishapateldesigns.wixsite.com/portfolio

Staff

Board of Directors

Yvonne Montoya, Artistic Executive Director

Amelie Fisher, Tour & Programs Coordinator

Megan Neese, Administrative Assistant

Michele Orduña

Hope Eberhardt

Salvador Angulo

Thank You!

​Dr. Myrriah Gómez, Dr. Brianna Figueroa, Liz Lerman, Delia Ibañez, Lauren Jiménez, David, Bernal-Fuentes, Michelle Marji, Lindsey Sandler, Salvador Martínez-Baldenegro, Mary Ann Gale, Abel López, Tony Garcia, Liliana Gómez, Coley Curry, Teniqua Broughton, Xanthia Walker, Rising Youth Theatre, Nuebox, Julie Ackerly, Halley Willcox, Jordan Wax, Lone Piñon, Gabriela Muñoz, Dr. Hilario Romero, Dr. Lillian Gorman, Caitlyn Hardy, Erin Donohue, Elisa Radcliffe, Diego Martínez-Campos, Emigdio Arredondo-Martínez, Shannon Parrales, Marcela Acosta, Scottsdale Community College, Karryn Allen, Mollie Sutherland, Becky Rowley, our donors, the board and staff, and all the artists’ families and friends who supported them through this journey. Gracias!

Support from Funders

Stories from Home has been in development for many years. The following funders, organizations, people, and artist residencies supported the creation of this work over the years.

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National Association of Latino Arts and Cultures

 

This project is supported in part by the National Association of Latino Arts and Cultures through a grant from the NALAC Fund for the Arts.

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Arizona Community Foundation Community Support Grant

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This project was supported by a grant from the Arizona Community Foundation. Established in 1978, the Arizona Community Foundation is a statewide family of charitable funds supported by thousands of Arizonans. Since inception, ACF has awarded over $1 billion in grants, scholarships, and loans to nonprofit organizations, schools, and government agencies. More information is available at azfoundation.org.

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National Performance Network Creation Fund Grant

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Safos Dance Theatre was awarded the 2022 National Performance Network Creation Fund for Yvonne Montoya's Stories from Home.  This grant was awarded in collaboration with two co-commissioners, GALA Hispanic Theatre (Washington, DC) and Su Teatro (Denver, CO). Thank you NPN, Su Teatro, and GALA Hispanic Theatre for your support!

 

The Creation and Development Fund is made possible with support from the Doris Duke Charitable Foundation, the Mellon Foundation, the National Endowment for the Arts (a federal agency), and co-commissioners.

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This project is supported by the National Performance Network (NPN) Documentation & Storytelling Initiative with funding from the Doris Duke Foundation and the National Endowment for the Arts (a federal agency). For more information, visit www.npnweb.org.

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National Endowment for the Arts Grants for Arts Projects

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Safos Dance Theatre was awarded the 2022 Grant for Arts Projects for Yvonne Montoya's Stories from Home.  This project is one of 14 projects awarded funding in Arizona. Thank you NEA for your support!

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The MAP Fund

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Yvonne Montoya is a 2020 MAP Fund Grantee for Stories from Home. She is among 171 performing artists and arts organizations grantees who received funding from all over the country in 2020. 

 

The MAP Fund is supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. Thank you MAP for your support.

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New England Foundation for the Arts National Dance Project

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Yvonne Montoya is a 2020 NEFA National Dance Project Production Grant recipient for the creation and production of Stories from Home. She is honored to be the first Arizona-based artist to receive this award. Montoya and the Stories from Home team is very excited about what this means for Arizona-based dance artists, and Nuevomexicna and Xicana stories from the Southwest being shared nationally. Congratulations to all of the grant recipients and finalists!

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This grant is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. Thank you NEFA!

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Arizona Commission on the Arts

 

This project is supported in part by the Arizona Commission on the Arts which receives support from the State of Arizona and the National Endowment for the Arts.

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Arts Foundation for Tucson and Southern Arizona 

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This project is supported by the Arts Foundation for Tucson and Southern Arizona. Funded in part by The National Endowment for the Arts, City of Tucson, and Pima County

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Arizona State University

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Projecting All Voices, a program of Arizona State University Herberger Institute for Design and the Arts, and Arizona State University Gammage.

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The Projecting All Voices Fellowship, a program of the Studio for Creativity, Place and Equitable Communities at Arizona State University Herberger Institute for Design and the Arts.

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The Kennedy Center

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This project was developed as a part of the Kennedy Center Office Hours Page to Stage Residency program at the REACH.

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